Partner Brands & agencies
Nashville, without the set dressing
You have a Nashville brief. You need it to look like Nashville rather than a stock library with a neon sign in it. We live here, we cover this city every week, and the rooms already let us in.
Audience, access and crew are the same phone call
Most brand work made in this city is made by people who flew in with a shot list, and it looks like it. The room is borrowed, the crowd is cast, and the audience it reaches afterwards is the one you rented.
All three parts are already in place here. The audience: 750,000 people who follow Nashville through us and ten thousand more on a weekly email they asked for. The access: the studios that cut this town's catalogue, the river at sunrise, a benefit night, the East Bank site, a thirty five million dollar penthouse, a cave under Demonbreun Street. The crew: two operators, a producer, and a van that puts a live signal up from anywhere in Davidson County in half an hour.
So this is not a media buy with production bolted on. We are already covering what the city is talking about, and your brand gets built into that. Live coverage, the clips that come off it, the guide, the coverage page, the email.
Every asset is handed over, licensed for your own channels. We are equally happy being one line in somebody else's plan.
Every partner clears a check before we take a cent. The product or service, how the place is run, and what this city already says about you. It is quick, and it is why a co-sign from us is worth anything.
Production only, distribution only, or the whole thing. No agency loading, no rebate games. We will sign your MSA and bill through you.
Certificates of insurance, location agreements, talent releases and music clearances sorted in advance. Nothing goes out that you have not approved.
Multi-day conference livestreams, product launches, all-hands and client events are a separate line of work with its own page.
What we build for you
All four tiers →Sponsored coverage
We cover a subject that genuinely fits you, live from the room and clipped afterwards, presented by your brand, with a replay that keeps running.
Ask about this → Campaign and up EditorialCoverage page
A page collecting everything published about one subject over weeks or months. A build, a season, a campaign, with your name at the top.
Ask about this → Residency and up SeriesSeries partner
Take one of our recurring shows for a season. Every episode, every replay, every cut, and the slot in the published schedule.
Ask about this → Bespoke and up ProductionContent on retainer
A producer and crew on standing call. Three 4K cameras, wireless audio, a gimbal and the van. A library delivered every month, licensed to you.
Ask about this → Bespoke and upAccess we already have
The archive →America's 250th from downtown, the full fireworks broadcast. Post Malone bringing out Blake Shelton at Nissan Stadium. CMA Fest with Russell Dickerson and Fetty Wap. We are in those rooms with a signal up.
Room by room through Dark Horse and RCA Studio B. A private tour of a thirty five million dollar Four Seasons penthouse. Down into Demonbreun Cave. This is what makes a brand film feel like it could not have been made anywhere else.
Every partner clears the NashvilleTN Approved check before we take the money. Nobody buys their way onto this site, which is exactly why being on it means something.
Where you usually start
Compare the tiers →Bespoke
A creative agency with its own audience attached. We make the work and we are the distribution.
- A producer and crew, 2 shoot days a month
- An original series or a coverage page in your name
- 8 vertical cuts a month, licensed to you
- Live coverage on your schedule
- Weekly newsletter presence, every event featured
- Category exclusivity available
Want to test first? Buy a single campaign at $2,500 and judge it on the replay and the cuts. Most people who do that come back for the retainer, which is why we are comfortable telling you to start small.
New to the market? Keys to Nashville is the one to look at. It covers the introductions, the rooms and the launch, not just the media.
Enterprise starts at $15,000 a month on an annual term and puts your name across the whole schedule, with corporate and conference production included. Category exclusivity is named and held.
The questions you were going to ask
- Can we get category exclusivity?
- Yes, by category and for the term. It is priced separately and it is usually the right call. Nothing degrades a partnership faster than the audience seeing three of you in the same month.
- Who owns the footage?
- You get everything we shoot for you at full resolution, plus every vertical cut, licensed in perpetuity for your channels. We keep the right to run the coverage on ours, which is the distribution you are buying.
- Do you do national distribution?
- No. Our distribution is Nashville and the people who care about Nashville. If your brief is national, we are the Nashville leg of it and we are unusually good at that leg.
- Brand safety
- No user generated feed, no comment section, no programmatic adjacency, no display inventory. Nothing publishes itself. A person reviews every listing and every story before it appears, every paid placement is labelled, and every partner is vetted before they are one.
- How fast can you move?
- Three to four weeks for live coverage, because we walk the room and check power, sight lines and connectivity first. A content day can happen inside two. If something is happening this weekend, call. We have turned things around in seventy two hours.
Send the brief, get a build
Give us the shape of it. We run the NashvilleTN Approved check, then come back with the audience breakdown, a treatment for what we would make, and a number.
Prefer email? service@nashvilletnconcierge.com
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